Featured The Odyssey
Action, Adventure · 2h 53m
Already-aired titles only — ranked by transparent four-input Celluloid Score, grouped by countries in our catalog, with editor's picks from Kaiser Khan. Last editorial pass: . Rankings refresh with each site build from live scores. For the longer Chinese / Korean / Japanese wave, see Asia 2016–2026 (including 2026’s Perfect Crown).
The best-reviewed already-aired 2026 film on Celluloid is The Odyssey (89% Celluloid Score, United States). Among 2026 TV premieres, The Lead leads at 90%. This hub ranks 83 released 2026 films across 18 countries in our catalog (51 countries sitewide) plus 39 2026 series — with editor's picks from Kaiser Khan. Rankings refresh with each site build from live four-input Celluloid Scores.
This hub ranks already-aired titles released January 2026 through today — not a wish list of trailers. Every film needs a 2026 release year, a published Celluloid Score, and must not be marked coming-soon. Unreleased MCU titles such as Avengers: Doomsday and Spider-Man: Brand New Day stay on Coming Soon until scores publish. The English-language slate leads the global chart (Project Hail Mary, The Backrooms, Michael); non-English sections surface only the most popular national leaders — Brazil’s Secret Agent, Korea’s King’s Warden, India’s Dhurandhar, France’s Nouvelle Vague, and Spain’s Sirāt — drawn from IMDb midyear lists, Empire, Metacritic midyear charts, and reported national box-office leaders, not a flood of every regional release.
TV rows use the same four-input composite as show pages — Apple TV+’s Widow’s Bay and Netflix UK’s How to Get to Heaven from Belfast anchor the 2026 premiere chart. Country sections use the production country field on each title — the same taxonomy as By Country. For head-to-heads, open Compare. For weekly watch plans, see this weekend’s guide and the movies roundup / TV roundup.
Kaiser Khan's 2026 highlights — editorial, not auto-ranked. Each pick links to the scored title and the review when published.
Andy Weir adapted with Lord/Miller wit — Gosling and Rocky own the sci-fi crown with critic and audience lockstep.
Kane Parsons turns a meme into Certified Fresh studio horror — Ejiofor-grade liminal dread after January Bone Temple.
Wagner Moura in Mendonça Filho 1977 Recife thriller — Brazil essential non-English theatrical alongside Korea King Warden.
Dhurandhar: The Revenge · Review
India #1 H1 box-office event — honest about the 68/92 critic–audience split on Ranveer Singh maximalist revenge epic.
Apple TV+ 98% horror-comedy — Rhys as a mayor selling tourism on a cursed island leads IMDb and Empire midyear TV lists.
83 released films scored on Celluloid — global chart before country breakdowns.
Critics hail Nolan's Homer adaptation as a majestic IMAX spectacle and his highest-rated film on Rotten Tomatoes (95% from 400+ reviews), with a Metascore of 89 (universal acclaim). Audiences have gone further still — a 97% Popcornmeter and an A CinemaScore — even as some reviewers flag uneven pacing and emotional distance beneath the craft.
Sandra Hüller's Silver Bear-winning performance anchors a rigorously controlled, near-unanimously acclaimed period drama that critics have called one of the most disciplined and quietly devastating films of the year.
Metacritic's top-scored 2026 limited release to date — a 96% critic darling with a 91 Metascore widely called Canada's answer to the year's intimate indie wave, even as its austere pacing keeps mainstream audiences at arm's length.
Mark Jenkin's analogue Cornish folk sci-fi is a near-unanimous 99% critic triumph — George MacKay and Callum Turner lend star gravity to a time-slip mystery Empire ranked among the year's finest UK theatricals.
Phil Lord and Christopher Miller turn Andy Weir's bestseller into the year's most crowd-unifying sci-fi event — Ryan Gosling's everyman charm and Rocky the alien's unlikely friendship deliver a 95%/96% critic–audience lock that Metacritic and IMDb midyear lists both crowned essential.
Wagner Moura's haunted lead and Kleber Mendonça Filho's Cannes-winning direction make this 93% political thriller the year's definitive Brazilian export — Metacritic midyear lists and Empire's world-cinema column both rank it among 2026's essential non-English theatricals.
Luhrmann's concert documentary is a 95%/90% critic–audience celebration — restored Vegas footage and IMAX sound design made Empire's documentary shortlist and gave Elvis's catalog its biggest theatrical spike in decades.
Critics have called this English-language remake of a Spanish stage-to-screen comedy a career-best showcase for its four leads, with particular praise for how deftly it pivots from farce to real emotional reckoning inside a single apartment.
Oliver Laxe's desert odyssey earned a 92% critic swell and Metascore 86 placement on midyear arthouse lists — a rave-as-requiem that divides casual viewers but leaves festival juries and Letterboxd die-hards rapt.
A Certified Fresh 94%/94% critic–audience hit: Curry Barker's monkey's-paw horror romance is praised as crowd-pleasing, darkly funny, and the rare Blumhouse original that Gen Z word-of-mouth turned into a $400M+ global phenomenon on a $750K budget.
Ildikó Enyedi's Hungarian mosaic earned 92% critics and Metacritic midyear attention — Tony Leung, Léa Seydoux, and Luna Wedler anchor a patient drama that Variety praised as the year's most meditative European theatrical.
A 91% Tomatometer winter horror that Empire and genre critics call the franchise's most ambitious swing — Ralph Fiennes anchors Nia DaCosta's colder, more mythic register even as audiences find it less immediately accessible than the original sprint.
Featured Action, Adventure · 2h 53m
FeaturedBerlinale 2026 Drama · 1h 34m
FeaturedSundance 2026 Drama · 1h 35m
FeaturedVenice 2025 Sci-Fi, Drama · 1h 54m
Featured Sci-Fi, Adventure · 2h 36m
FeaturedCannes 2025 Thriller, Drama · 2h 38m
Featured Documentary, Music · 1h 40m
FeaturedSundance 2026 Comedy, Drama · 1h 47m
Countries with already-aired 2026 films in our catalog. Full archives: United States , Canada , Germany , Brazil , United Kingdom , Spain , Hungary , France , Australia , Japan , Indonesia , Nigeria , South Korea , China , Ireland , Turkey , Mexico , India .
Series that premiered in 2026 — the streaming desk. Scores use the same composite as film pages.
The Lead — a notable Celluloid catalog credit with strong audience discovery.
Audacious, sung-through-with-blood television — a gothic rock opera that hands Sam Reid the role of a lifetime and turns Anne Rice's mythology into the year's most rapturous reinvention.
A 98% Tomatometer horror-comedy that critics call outlandish and precise — Rhys's dry mayoral panic and Dippold's genre tightrope make Widow's Bay the 2026 Apple premiere IMDb and Empire midyear lists keep ranking first.
Smaller, kinder and more soulful than its franchise siblings — a winning two-hander proving Westeros doesn't need dragons to soar, just a good knight, a sharp squire and a stubborn conscience.
Lisa McGee's post-Derry Girls thriller-comedy landed at 95% critics with Netflix's strongest UK launch of 2026 — Empire and IMDb midyear TV lists both treat it as the year's essential Belfast story.
A 96% Certified Fresh family dramedy — Fanning, Pfeiffer, and Offerman make OnlyFans logistics feel human, landing high on Metacritic and Rotten Tomatoes midyear TV lists without tipping into pity porn.
Pursuit of Jade — signature credit for Zhang Linghe on Celluloid Stars.
A spinoff with its own gravity — Star City trades For All Mankind's NASA optimism for hushed corridors and creeping dread, and the result is arguably the franchise's most gripping stretch yet, led by a tremendous Rhys Ifans.
A gleefully pulpy revenge fantasy with a real wound underneath — its bureau-of-vigilante-teachers premise shouldn't work, but committed turns from Kim Moo-yul and Lee Sung-min make the catharsis land.
2026’s Korean action export proof-point — Agent Kim Reactivated put So Ji-sub atop Netflix’s global non-English Top 10, extending K-drama’s streaming dominance beyond romance.
A Certified Fresh 93% summer surprise: Tatiana Maslany leads a twistedly funny whodunit that critics praise for pacing, tonal control, and the rare thriller that earns both laughs and genuine stakes.
Less punishing and more propulsive than its predecessor, The Testaments finds a fresh angle on Gilead through younger eyes — anchored by Ann Dowd's return and a breakout Chase Infiniti, it earns a place beside The Handmaid's Tale rather than in its shadow.
An audacious, formally restless satire that skewers fame, race and the Bond machine with lacerating wit — Riz Ahmed packs more ideas into six half-hours than most series manage in a season, and nearly all of them land.
India’s 2026 streaming breakout — Chiraiya topped JioHotstar’s non-franchise fiction charts, proving domestic OTT hits can dominate without a film-franchise brand.
Jack Thorne's 90% Tomatometer adaptation divides audiences at 72% — visually striking and pedagogically relevant, but critics note it never fully escapes the shadow of prior film versions or Golding's dated gender politics.
A joke machine tuned precisely to Tracy Morgan's singular frequency — the sharpest network sitcom debut in years, pairing him with a game Daniel Radcliffe and, true to its title, only getting better as it goes.
The year's most talked-about Korean thriller — a mud-caked, twist-dense procedural in the Memories of Murder lineage that rides Park Hae-soo's coiled intensity to record ratings for ENA.
A sleek, scenery-drunk showcase for Kim Seon-ho and Go Youn-jung's easy chemistry — critics warmed to its charm even as its late-game melodrama swerves split the fanbase down the middle.
Raw, bruising and defiantly uncomfortable, Half Man doesn't match Baby Reindeer's lightning strike, but Gadd and Jamie Bell make its portrait of fraternal damage impossible to shake.
Against all odds, the hoax works twice — warmer and weirder than the original, Company Retreat finds another improbably good-hearted star in Anthony Norman and milks its hot-sauce absurdity for all it's worth.
Lush, sweeping and faithful in spirit even where it streamlines, this long-awaited adaptation finally gives Allende's generational epic room to breathe — handsome, heartfelt and quietly furious.
A strange, sad and frequently hilarious suburban noir — Conrad's signature whimsy honed to a point, with Harbour, Cardellini and Bateman doing some of their richest work in a mystery that values ache over answers.
Comfort-food campus comedy elevated by Steve Carell in gently melancholy mode — familiar in shape, generous in spirit, and sneakily affecting once it settles in.
Vanished Name — a notable Celluloid catalog credit with strong audience discovery.
Purists may wince, but this brash, needle-dropping take on a pre-genius Holmes is undeniable fun — a caffeinated mystery romp that coasts on Guy Ritchie pace and Hero Fiennes Tiffin's live-wire charm.
A ratings juggernaut that peaked at 13.8% Nielsen and became Disney+'s most-watched Korean series globally (43M+ hours) — critics were mixed on script and leads, audiences were not.
Roughly 76–80% with critics: Javier Bardem's Max Cady is hailed as the series' electric center, revitalizing pulp revenge even when the ten-episode stretch tests patience.
Generation to Generation — signature credit for Zhou Yiran on Celluloid Stars.
A solid ~78% on Rotten Tomatoes: critics call Lucky a twisty, addictive heist thriller elevated by Anya Taylor-Joy's star turn and a stacked supporting cast, even when the plot's familiarity shows through.
Vicious, sharply acted and uncomfortably plausible, The Audacity lands real blows on tech's messiah complex even when its misanthropy crowds out the drama — Magnussen and Goldberg keep it compulsively watchable.
Vintage Coben comfort viewing — a preposterous, propulsive missing-person maze rated among his stronger Netflix outings, powered by James Nesbitt's weathered desperation even as the twists strain all credulity.
A glossy, twist-hungry potboiler that critics found preposterous but viewers devoured — Tessa Thompson and Jon Bernthal's live-wire standoff and the dual-perspective hook make it irresistible one-sitting television.
Gorgeous surfaces, splattery payoffs and a thesis that keeps slipping out of focus — a lurid, watchable satire that works best when it stops admiring itself in the mirror.
Absurd at every turn yet strangely impossible to switch off — Sam Worthington's granite conviction drags the pulp across the finish line, and audiences turned a critical shrug into one of the year's biggest streaming hits.
Yahya Abdul-Mateen II smolders convincingly, but this stretched-thin adaptation only intermittently justifies trading the films' scorched intensity for seven episodes of simmer.
Softer than its cult-classic namesake but sharper than expected, The 'Burbs coasts on Keke Palmer's impeccable comic instincts — a breezy neighborhood mystery that favors charm over dread.
A queasy, compulsively watchable portrait of grievance in miniature — sharply assembled and often absurd, though its parade of small-scale hostilities leaves some viewers more drained than enlightened.
Zhao Liying’s upcoming/recent prestige vehicle — high anticipation on Chinese streaming charts.
A stacked cast can't rescue a thriller that mistakes timeline shuffling for depth — glossy and perfectly watchable, but Washington, Moss and Mara deserve a mystery worthy of them.
iQIYI Editor's Pick Drama
AMC+ Editor's Pick Horror, Romance
Apple TV+ Editor's Pick Comedy, Horror
HBO Max Editor's Pick Fantasy, Adventure
Netflix Comedy, Thriller
Apple TV+ Comedy, Drama
iQIYI Editor's Pick Drama
Apple TV+ Drama, Sci-Fi
Netflix Editor's Pick Action, Drama
Netflix Editor's Pick Action, Crime
Apple TV+ Editor's Pick Comedy, Thriller
Hulu Drama, Sci-Fi
Prime Video Comedy, Drama
Disney+ Editor's Pick Drama
Netflix Drama, Thriller
Peacock Comedy
Viki Crime, Thriller
Netflix Romance, Comedy
HBO Max Drama
Prime Video Comedy, Reality
Prime Video Drama, Fantasy
HBO Max Drama, Mystery
HBO Max Comedy
iQIYI Drama, Mystery
Prime Video Mystery, Crime
Disney+ Romance, Comedy
Apple TV+ Thriller, Drama
Youku Drama, Action
Apple TV+ Editor's Pick Thriller, Crime
AMC+ Drama, Comedy
Netflix Thriller, Drama
Netflix Thriller, Mystery
Hulu Horror, Satire
Netflix Thriller, Mystery
Netflix Action, Thriller
Peacock Comedy, Horror
HBO Max Documentary
Tencent Video Drama
Apple TV+ Thriller, Drama
Not 2026 premieres — listed because they still dominate “best TV right now” queries alongside the new slate.
The Odyssey leads Celluloid’s aired-2026 film chart at 89%, followed by Rose, Blue Heron, Rose of Nevada, Project Hail Mary. Rankings update as scores settle; unreleased titles like Avengers: Doomsday are excluded.
The Lead (iQIYI) leads 2026 premieres at 90% Celluloid Score. Also scored: The Vampire Lestat, Widow's Bay, A Knight of the Seven Kingdoms, How to Get to Heaven from Belfast, Margo's Got Money Troubles, Pursuit of Jade, Star City, Teach You a Lesson, Agent Kim Reactivated, Maximum Pleasure Guaranteed, The Testaments, Bait, Chiraiya, Lord of the Flies, The Fall and Rise of Reggie Dinkins, The Scarecrow, Can This Love Be Translated?, Half Man, Jury Duty Presents: Company Retreat, The House of the Spirits, DTF St. Louis, Rooster, Vanished Name, Young Sherlock, Perfect Crown, Cape Fear, Generation to Generation, Lucky, The Audacity, Run Away, HIS & HERS, The Beauty, I Will Find You, Man on Fire, The 'Burbs, Neighbors, The Dream Maker, Imperfect Women.
Yes. Already-aired 2026 titles on this page span United States, Canada, Germany, Brazil, United Kingdom, Spain, Hungary, France, Australia, Japan, Indonesia, Nigeria, South Korea, China, Ireland, Turkey, Mexico, India — matching countries already indexed on Celluloid (sitewide: 51 countries under /country/).
Every review on Celluloid carries a single real byline: Kaiser Khan, Founder & Editor. See /critics/kaiser-khan/.
No. This hub only lists films that have already aired with published Celluloid Scores. For unreleased titles, use /movies/coming-soon/ and /trailers/.