Import/Export (2007) Review: Europe's Bleak Crossroads
★★★½☆
Import/Export is Ulrich Seidl's harsh, fascinating drama of two workers crossing Europe in opposite directions, compassionate and punishing in equal measure.
Bylined reviews with verdicts and scores — most recently published or updated first. Showing 409–432 of 905 reviews.
★★★½☆
Import/Export is Ulrich Seidl's harsh, fascinating drama of two workers crossing Europe in opposite directions, compassionate and punishing in equal measure.
★★★½☆
In the Heart of the Sea is Ron Howard's whaling epic about the Essex disaster that inspired Moby-Dick, thrilling at sea but shallow in its characters.
★★★½☆
In the Land of Brothers is a quiet, affecting drama about an Afghan refugee family trying to build a life in Iran over decades, restrained almost to a fault.
★★★★½
In the Mood for Love is Wong Kar-wai's exquisite 1960s Hong Kong romance of two neighbours drawn together by betrayal, and one of cinema's great love stories.
★★★½☆
In Time is Andrew Niccol's sci-fi thriller about a future where time is money, a terrific premise that settles for a slick, fairly ordinary chase movie.
★★★½☆
Incantation is Kevin Ko's Taiwanese found-footage horror about a mother, her daughter and a broken religious taboo, rough in places but genuinely unnerving.
★★★★½
Inception is Christopher Nolan's dream-heist blockbuster, an ingenious, spectacular puzzle that still sets the standard for smart summer entertainment.
★★★★☆
Industry is HBO's London banking drama that grew from a graduate-scheme pressure cooker into a sharp, abrasive study of money, power and ambition.
★★★½☆
Inside a Funeral Hall is Lee Ho-hyun's small Korean ensemble drama about a family gathered for a funeral, a contained, wry look at grief, money and pretence.
★★★★½
Inside No. 9 is Reece Shearsmith and Steve Pemberton's darkly comic BBC anthology, a run of self-contained half-hours that almost never repeat themselves.
★★★★½
Instructions Not Included is Eugenio Derbez's warm Mexican comedy-drama about a playboy who becomes an accidental father, broad, big-hearted and moving.
★★★★½
Interstellar is Christopher Nolan's space epic about a father leaving a dying Earth to find a new home, a vast, sincere film where physics serves emotion.
★★★★☆
Ip Man 2 moves Donnie Yen's Wing Chun master to 1950s Hong Kong, where rival schools and a British boxer test him in a rousing, if familiar, martial arts sequel.
★★★★☆
Ip Man is Wilson Yip's stirring Wing Chun biopic set in wartime Foshan, with Donnie Yen in his signature role and some of the finest kung fu of its decade.
★★★½☆
Ip Man 3 sets Donnie Yen's Wing Chun master against gangsters and a rival teacher in 1959 Hong Kong, a gentler, more domestic sequel with superb fights.
★★★½☆
Ip Man 4: The Finale sends Donnie Yen's wing chun master to San Francisco for a stirring farewell with superb fights, even if its villains are drawn in crayon.
★★★★☆
Iron Monkey is Yuen Woo-ping's nimble 1993 Hong Kong kung fu adventure, a Robin Hood tale whose inventive fights more than make up for its lurching tone.
★★★★½
It's a Wonderful Life is Frank Capra's 1946 Christmas classic, and beneath the holiday glow it is a surprisingly raw drama about disappointment, duty and despair.
★★★★★
It Was Just an Accident is Jafar Panahi's Palme d'Or-winning thriller about former prisoners who may have found their torturer: tense, funny and morally piercing.
★★★★☆
Itaewon Class is a K-drama about an ex-convict who opens a small Seoul pub to take down a food empire, a stirring underdog story that sags in its second half.
★★★½☆
It's Never Over, Jeff Buckley is Amy Berg's intimate documentary about the singer of Grace, built on private recordings and mourning without turning him into a saint.
★★★★½
It's Okay to Not Be Okay is a gorgeous, emotionally serious K-drama romance between a psychiatric ward carer and a children's author who claims she cannot love.
★★★½☆
Jaan Nisar reunites Danish Taimoor and Hiba Bukhari in a class-crossed Pakistani love story, a huge crowd-pleaser that tests patience over 65 episodes.
★★★½☆
Jailer is Nelson Dilipkumar's Tamil action comedy built around Rajinikanth as a retired jailer, a crowd-pleasing star vehicle with a sharp first half and a baggy second.