Founder & Editor · Film & Culture
Kaiser Khan is Founder & Editor of Celluloid and founder of Elite Digital AI Solutions Ltd, which owns CelluloidScore.com. An entrepreneur and cultural producer, he sets the site’s answer-first editorial standard and transparent four-input Celluloid Score.
Founder & Editor, Celluloid · Elite Digital AI Solutions Ltd
Author page (E-E-A-T): Kaiser Khan — Founder & Editor
External profile: mrkaiserkhan.com
905 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy · About & ownership
★★★★☆
Outer Banks sends a crew of working-class teens after lost gold on the North Carolina coast, a sunny Netflix adventure soap that is ridiculous, rowdy and hard to quit.
Yes, if you want escapism. It is a propulsive teen treasure hunt for fans of adventure soaps, though its plots grow wilder and more repetitive with each season.
★★★★☆
Ozark is Netflix's four-season crime drama about a Chicago money manager hiding a cartel's cash in rural Missouri, lifted by Bateman, Linney and Julia Garner.
Yes, with reservations. It suits viewers who like slow-tightening crime sagas and morally compromised families, if they can forgive a grim tone and some late sprawl.
★★★★☆
Pabrik Gula karya Awi Suryadi mengangkat utas viral SimpleMan tentang pekerja musiman di pabrik gula tua di Jawa. Horor yang kuat berkat lokasi dan suasana.
Ya, dengan catatan. Horor Jawa yang mencekam berkat lokasi dan suasananya, cocok untuk penggemar teror bertempo pelan yang tidak keberatan dengan durasi panjang.
★★★★★
Pachinko is Apple TV+'s adaptation of Min Jin Lee's novel, a Korean family saga across generations and languages anchored by Youn Yuh-jung's extraordinary Sunja.
Yes. It is one of the most moving and ambitious dramas of the decade, essential for viewers who love family sagas, history and patient, emotionally generous storytelling.
★★★★½
Paddington 2 is Paul King's warm, witty family comedy in which the marmalade-loving bear is framed for theft, a sequel that outshines the charming original.
Yes. It is one of the best family films of its century, as delightful for adults as for children, and its gentle comedy and kindness hold up on every rewatch.
★★★★½
Pain and Glory is Pedro Almodóvar's tender, semi-autobiographical drama about an ailing film director, with Antonio Banderas giving the performance of his life.
Yes. It is Almodóvar's most personal and quietly moving film, essential for fans of his work and for anyone drawn to films about memory, art and ageing.
★★★★★
Panchayat is TVF's Hindi comedy about a reluctant city graduate running a village council office in Uttar Pradesh, and one of Indian streaming's warmest shows.
Yes. It is a gentle, beautifully observed ensemble comedy that suits anyone who enjoys character over plot, and it travels far beyond its rural Indian setting.
★★★★½
Pan's Labyrinth is Guillermo del Toro's dark fantasy about a girl in Franco's Spain who escapes into a world of fauns and monsters, as brutal as it is beautiful.
Yes. It is one of the great modern fantasy films, a haunting fable for adults, but its harsh violence means it is not the children's fairy tale it may appear.
★★★☆☆
Pathaan is Siddharth Anand's glossy Hindi spy blockbuster that brought Shah Rukh Khan back as an action hero, big on swagger and set pieces, thin on plotting.
It depends. Shah Rukh Khan fans and viewers after glossy action spectacle will have fun, but anyone wanting a sharp, credible spy thriller will find it hollow.
★★★★½
Peaky Blinders is Steven Knight's six-season British gangster saga set in post-war Birmingham, built around Cillian Murphy's magnetic, haunted Tommy Shelby.
Yes. It is one of the most stylish crime dramas of its era, ideal for viewers who like period gangster stories with swagger, though later seasons are less focused.
★★★★☆
Pengabdi Setan 2: Communion memindahkan teror keluarga Rini ke rumah susun yang penuh tetangga. Sekuel Joko Anwar yang lebih besar, sesak, dan mencekam.
Ya, dengan catatan. Sekuel horor yang lebih besar dan mencekam, paling cocok untuk penonton yang sudah menonton film pertama dan tahan dengan teror panjang.
★★★½☆
Perfect Crown is a 12-episode Korean royal rom-com in which an heiress proposes a contract marriage to a prince; IU and Byeon Woo-seok's star power outpaces its script.
Mostly yes. It is a glossy, easy-to-enjoy romance for fans of IU, Byeon Woo-seok and contract-marriage stories, provided you don't expect sharp political drama.
★★★★★
Perfect Days is Wim Wenders's serene Tokyo drama about a public-toilet cleaner's daily rituals, anchored by Kōji Yakusho's Cannes-winning, near-wordless lead turn.
Yes. It is a quietly profound film about attention and contentment, ideal for patient viewers who can let a slow, repetitive rhythm work on them.
★★★★½
Perfect Strangers is Paolo Genovese's sharp Italian chamber comedy in which friends at a dinner party read every phone message aloud, with painfully funny results.
Yes. It is a tightly built, very funny and quietly cruel comedy of manners, ideal for anyone who likes ensemble dramas that unfold around a single table.
★★★★☆
Phone Swap is Kunle Afolayan's breezy Nigerian romantic comedy about two strangers whose accidental phone exchange pulls each into the other's life for a weekend.
Yes. It is a warm, well-crafted Nollywood rom-com with two appealing leads, best for viewers who enjoy mistaken-identity comedy and can forgive a predictable arc.
★★★★☆
Pinocchio is Park Hye-ryun's 20-episode K-drama about two rookie TV reporters, one who can't lie and one hiding who he is, and a sharp look at media responsibility.
Yes, with reservations. It suits K-drama fans who want romance with a real argument underneath, though its revenge plot and length test patience in the back half.
★★★★½
Pixote is Héctor Babenco's harrowing Brazilian drama about São Paulo street children, cast with real kids and shot with an unflinching, neorealist honesty.
Yes, if you can take it. This is one of the great films about abandoned children, essential for serious viewers but deeply distressing and not for the faint-hearted.
★★★★½
PK is Rajkumar Hirani's Hindi satire in which Aamir Khan's stranded alien pokes at religious hypocrisy, pairing big laughs with a surprisingly bold argument.
Yes. It is a funny, warm and daring crowd-pleaser, ideal for fans of Hirani's big-hearted comedies who can accept a long runtime and some preachy stretches.
★★★★½
Poker Face is Rian Johnson's Peacock mystery series, a Columbo-style case-of-the-week road trip led by Natasha Lyonne as a drifter who can always spot a lie.
Yes. It is one of the most purely enjoyable mystery shows in years, perfect for viewers who love clever self-contained episodes, big guest stars and a warm, raspy lead.
★★★★☆
Police Story is Jackie Chan's 1985 Hong Kong cop thriller, a thin story wrapped around some of the most dangerous and thrilling practical stunts ever filmed.
Yes. It is an essential action film for its stunts alone, best for genre fans who can put up with broad slapstick and a flimsy plot between the set pieces.
★★★★☆
Ponniyin Selvan: Part I is Mani Ratnam's lavish Tamil adaptation of Kalki's Chola novel, a sprawling tale of court conspiracy that favours intrigue over battle.
Yes. It is a handsome, intelligent historical epic, best for patient viewers who enjoy political drama and can keep track of a large cast of characters.
★★★★☆
Ponniyin Selvan: Part II completes Mani Ratnam's Tamil Chola epic, trading some of Part One's playful intrigue for doomed romance, grief and a war for the throne.
Yes. It is a satisfying, emotionally richer conclusion for anyone who saw Part One, though its hurried final battle and changes to the novel will divide some fans.
★★★½☆
Pop Aye is Kirsten Tan's gentle Thai-language road movie about a burnt-out Bangkok architect walking his childhood elephant home, wry and melancholy in equal parts.
Yes, with reservations. It is a tender, offbeat road movie for patient viewers who enjoy deadpan humour and midlife melancholy, but its drift will not suit everyone.
★★★★☆
Porcelain War is an Oscar-nominated documentary about Ukrainian artists who stay to defend their home, making delicate porcelain while learning to fight a war.
Yes. It is a moving, beautifully shot portrait of creativity under bombardment, best for viewers who want the human side of the war in Ukraine rather than analysis.