Founder & Editor · Film & Culture
Kaiser Khan is Founder & Editor of Celluloid and founder of Elite Digital AI Solutions Ltd, which owns CelluloidScore.com. An entrepreneur and cultural producer, he sets the site’s answer-first editorial standard and transparent four-input Celluloid Score.
Founder & Editor, Celluloid · Elite Digital AI Solutions Ltd
Author page (E-E-A-T): Kaiser Khan — Founder & Editor
External profile: mrkaiserkhan.com
905 reviews published on Celluloid
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Psicópata: El Asesino del Conejo Blanco is a Mexican serial-killer thriller with interesting ideas about trauma, undone by a muddled script and a clashing villain.
No. Despite a promising premise and a committed lead, it is too uneven to recommend; only completists of Mexican genre cinema should seek it out.
¿Quieres ser mi novia? reunites Ludwika Paleta and Juanpa Zurita as an age-gap couple, but the Mexican sequel swaps real conflict for manufactured jealousy.
Mostly no. The two leads are still likeable, but only viewers already attached to Lu and Javi from the first film will find enough here to justify 97 minutes.
Rose is Markus Schleinzer's austere black-and-white drama set after the Thirty Years' War, with Sandra Hüller superb as a woman living as a man to claim an estate.
Yes. It is a rigorous, quietly devastating period drama with one of the year's finest performances, best for viewers who welcome restraint over incident.
Rose of Nevada is Mark Jenkin's handmade Cornish folk sci-fi, in which George MacKay and Callum Turner crew a lost boat and slip thirty years into the past.
Yes. It is a haunting, singular British film and one of the best of 2026, ideal for viewers who love mood and mystery and do not need time travel explained.
Send Help is Sam Raimi's nasty, funny survival horror-comedy in which Rachel McAdams and Dylan O'Brien play an employee and her boss stranded on an island.
Yes. It is a gleefully mean genre ride for fans of horror-comedy and Raimi's style, though it runs a little long and its final stretch grows more outlandish.
Silent Friend is Ildikó Enyedi's patient, luminous drama about three people across a century drawn to one tree, with Tony Leung, Léa Seydoux and Luna Wedler.
Yes, for patient viewers. It is a gentle, beautiful and unusual drama for lovers of contemplative art cinema, though its length and slow rhythm will test some.
Sirāt is Oliver Laxe's overwhelming desert road movie, in which Sergi López's father follows ravers across Morocco in search of his missing daughter.
Yes, for adventurous viewers. It is one of the most intense, unforgettable art films in years, but its bleak turns and trance-like pace will divide audiences.
Socias por Accidente is a Mexican comedy about two women conned by the same man, lifted by Angelique Boyer and Bárbara de Regil but built from very familiar parts.
Mostly no. Fans of Angelique Boyer or Bárbara de Regil will enjoy their pairing, but anyone wanting a fresh or tonally steady comedy can skip it.
Supergirl sends Milly Alcock's Kara Zor-El across the galaxy on a revenge quest, a DC superhero film with a magnetic lead and a script that plays it too safe.
It depends. DC fans and anyone curious about Milly Alcock's Kara will enjoy the ride, but viewers wanting a fresh superhero story will find the plot familiar.
The Christophers is Steven Soderbergh's dry chamber comedy-drama, pairing Ian McKellen's ageing painter with Michaela Coel's struggling artist to sharp effect.
Yes, with reservations. Coel and McKellen are superb together and Soderbergh keeps it brisk, but its cool, unsentimental tone will leave some viewers wanting warmth.
The Designer Is Dead is Gonzalo Hergueta's documentary on Miguel Adrover, the radical New York designer who left fashion behind, and a portrait of rise and renewal.
Yes, with reservations. It is an absorbing portrait of a fashion outsider, best for viewers interested in design and creative reinvention, though its shape is conventional.
The Devil Wears Prada 2 reunites Meryl Streep, Anne Hathaway and Emily Blunt nearly two decades on, a polished, enjoyable sequel that trades bite for warmth.
Yes, with reservations. Fans of the original will enjoy the reunion and Streep's commanding return, but the satire is softer and the plot more routine than before.
The Drama is Kristoffer Borgli's romantic black comedy starring Zendaya and Robert Pattinson as a couple whose wedding week is upended by one confession.
Yes, with reservations. It is a daring, very funny and often excruciating romantic black comedy, best for viewers who enjoy discomfort more than neat resolutions.
The Furious is Kenji Tanigaki's hard-hitting martial arts thriller starring Xie Miao and Joe Taslim, a rescue mission with superb fights and a thin story.
Yes, with reservations. The fight choreography is among the best of recent years, but the plot is thin and the violence intense; made for committed martial arts fans.
The Invite is Olivia Wilde's sharp dinner-party comedy in which two couples, one noisy ceiling and a bottle of wine expose a marriage, led by four superb performances.
Yes. It is a funny, bruising and brilliantly acted chamber comedy for adult viewers who enjoy talky films about relationships; skip it if frank sexual talk puts you off.
The King's Warden is Jang Hang-jun's Joseon-era drama about a man ordered to guard a deposed king, a moving study of loyalty and conscience led by Yoo Hae-jin.
Yes. It is a moving, well-acted Korean historical drama for viewers who like intimate stories set against palace politics; expect sentiment as well as intrigue.
★★★★★
The Odyssey is Christopher Nolan's IMAX-shot adaptation of Homer, with Matt Damon as Odysseus, a staggering visual epic whose heart sometimes lags behind its scale.
Baca dalam Bahasa Indonesia →Yes. It is one of the most extraordinary-looking blockbusters in years and worth seeing on the largest screen possible, even if it is easier to admire than to love.
The Return of Arinzo is Iyabo Ojo's star-packed Nollywood sequel about a woman who resurfaces as her husband runs for president, a thriller that never finds its focus.
Mostly no. Fans of the cast may enjoy individual scenes, but most viewers will find this political revenge thriller overstuffed, uneven and far too long.
The Rip is Joe Carnahan's Miami cop thriller about a narcotics team stuck with a record cash haul overnight, strongest on suspicion and weaker on its payoffs.
It depends. Viewers who enjoy tense, talky crime dramas about loyalty will get a solid night in; anyone expecting a precision heist puzzle may feel shortchanged.
The Secret Agent is Kleber Mendonça Filho's sprawling 1970s Brazilian thriller, with Wagner Moura as a hunted man in Recife and a city alive with rumour and dread.
Yes. It is a rich, strange and gripping portrait of life under dictatorship, best for patient viewers who enjoy a thriller that takes detours.
The Sheep Detectives is a charming English village mystery in which a flock investigates its shepherd's death, a family comedy with a real whodunit underneath.
Yes. It is a warm, clever family mystery that adults can enjoy too; best for anyone who likes cosy crime and gentle British comedy with some bite.
Toy Story 5 pits Woody, Buzz and Bonnie's toys against a tablet called Lilypad, and Andrew Stanton finds real heart in the franchise's oldest fear: being replaced.
Yes. It is a funny, heartfelt Pixar sequel that earns its place in the series, ideal for families and for adults who grew up with Woody and Buzz.
Perbandingan ulasan Tunggu Aku Sukses Nanti: pujian untuk Ardit Erwandha, perdebatan tentang penyuntingan dan cara film memandang tekanan keluarga.
Kritikus yang dibandingkan mengapresiasi penampilan Ardit Erwandha, tetapi berbeda dalam menilai ritme dan penyelesaian konflik keluarga. Ini rangkuman sumber, bukan ulasan pribadi.
Venganza casts Omar Chaparro as a grieving special-forces veteran on a revenge mission; the Mexican action film's stunts impress, but its story runs on empty.
Mostly no. Action fans may enjoy the well-staged fights and Omar Chaparro's committed turn, but the thin characters and stock plot make it hard to care.