Busan 2025 Burning
Drama, Mystery · 2h 28m
Busan · held each September–October
The "Cannes of Asia" and the continent's most influential festival. Each autumn, Busan premieres the new wave of Asian cinema — its New Currents competition and Asian Project Market have launched a generation of first-time directors onto the world stage.
23 titles across 10 editions in our catalogue. Editions run newest first; within each edition, verified festival winners lead, followed by Celluloid Score. Browse South Korea cinema on South Korea. Related honours: Asian Film Awards.
Visual lookbook: Busan premiere poster lookbook
Busan International Film Festival is held in Busan, South Korea each September–October. Its top prize is the New Currents Award. Celluloid ranks 23 films across 10 editions by four-input Celluloid Score, with award winners first. The highest-rated Busan film on Celluloid is All We Imagine as Light (2024) at 87%. Latest edition in the catalogue: Busan 2025. 20 verified festival prize winners are called out on this page.
New Currents Award and other prize winners: Burning (Defining Moments of Asian Cinema, 2025) , No Other Choice (Opening Film, 2025) , Oldboy (Defining Moments of Asian Cinema, 2025) , Left-Handed Girl (Competition, 2025) , All We Imagine as Light (A Window on Asian Cinema, 2024) , How to Make Millions Before Grandma Dies (A Window on Asian Cinema, 2024) , Caught by the Tides (Gala Presentation, 2024) , Happyend (Special Program, 2024) , Viet and Nam (A Window on Asian Cinema, 2024) , Girls Will Be Girls (Special Program, 2024) , Santosh (A Window on Asian Cinema, 2024) , Hunger (A Window on Asian Cinema, 2023) , The Medium (A Window on Asian Cinema, 2021) , Better Days (A Window on Asian Cinema, 2019) , Bad Genius (A Window on Asian Cinema, 2017) , Marlina the Murderer in Four Acts (A Window on Asian Cinema, 2017) , The Handmaiden (Korean Cinema Today, 2016) , Train to Busan (Korean Cinema Today, 2016) , The Host (Korean Cinema Today, 2006) , Memories of Murder (Korean Cinema Today, 2003)
All-time quality view — four-input Celluloid Score, not jury order. For the circuit explainer see festival prizes decoded and Asia’s biggest film festivals.
Busan 2025 Drama, Mystery · 2h 28m
Busan 2025 Musical · 1h 40m
Busan 2025 Thriller, Action · 2h 0m
Busan 2025 Drama · 1h 55m
FeaturedBusan 2024 Drama · 1h 55m
Busan 2024 Drama, Comedy · 2h 7m
FeaturedBusan 2024 Drama · 2h 40m
Busan 2024 Drama · 2h 55m
Busan 2024 Romance · 2h 55m
FeaturedBusan 2024 Drama · 2h 40m
FeaturedBusan 2024 Thriller · 1h 40m
Busan 2024 Mystery, Horror · 2h 14m
The "Cannes of Asia" and the continent's most influential festival. Each autumn, Busan premieres the new wave of Asian cinema — its New Currents competition and Asian Project Market have launched a generation of first-time directors onto the world stage. It is held in Busan each September–October.
The New Currents Award is the top prize of the Busan International Film Festival in Busan. Celluloid lists Busan films with verified prizes on this hub, ranked by four-input Celluloid Score rather than jury politics.
Award winners from Busan in the Celluloid catalogue include Burning (Defining Moments of Asian Cinema, 2025), No Other Choice (Opening Film, 2025), Oldboy (Defining Moments of Asian Cinema, 2025), Left-Handed Girl (Competition, 2025), All We Imagine as Light (A Window on Asian Cinema, 2024), How to Make Millions Before Grandma Dies (A Window on Asian Cinema, 2024), Caught by the Tides (Gala Presentation, 2024), Happyend (Special Program, 2024), Viet and Nam (A Window on Asian Cinema, 2024), Girls Will Be Girls (Special Program, 2024), Santosh (A Window on Asian Cinema, 2024), Hunger (A Window on Asian Cinema, 2023), The Medium (A Window on Asian Cinema, 2021), Better Days (A Window on Asian Cinema, 2019), Bad Genius (A Window on Asian Cinema, 2017), Marlina the Murderer in Four Acts (A Window on Asian Cinema, 2017), The Handmaiden (Korean Cinema Today, 2016), Train to Busan (Korean Cinema Today, 2016), The Host (Korean Cinema Today, 2006), Memories of Murder (Korean Cinema Today, 2003).
Busan 2025 prize winners in the Celluloid catalogue: Burning (Defining Moments of Asian Cinema), No Other Choice (Opening Film), Oldboy (Defining Moments of Asian Cinema), Left-Handed Girl (Competition).
All We Imagine as Light (2024) leads our Busan selection with a 87% Celluloid Score, averaged from four possible rating inputs.
Busan International Film Festival pages group films by edition year (newest first). Inside each edition, verified festival winners lead, then four-input Celluloid Score (editorial, Metascore, Letterboxd, IMDb — audience separate). This is catalogue order, not an official festival ranking.